Being Festive, Vol. 1 of ?

Today just a few things to help you get in the mood... for the holidays! Woo! Before you even ask, I'm well aware that it is November 26th. But if New York is doing Christmas now, I'm doing Christmas now.

Below, a few pictures from my obligatory tree lighting trek - Lincoln Square is a lot more approachable than Rockefeller Center, and the music is better (although... Suzanne Vega, interesting choice for a giant Christmas festival?). I got to see everything from an all-woman Afro-Brazilian drum corps to up-and-coming jazz artist Marcus Strickland (in a museum gallery no less!).

And to make you even more excited for the holiday season, I've made a playlist with all my favorite enthusiastic (occasionally terrifyingly so!) Christmas songs. I saved the best for last - if Mariah doesn't get you in the spirit, you need to check yourself and then immediately watch Love Actually. It's a cliche because it's great!

A Little Light Reading

Here are a few articles I read and liked this morning:

The inevitable New Yorker analysis of Ryan Murphy. Not sure I agree on all points, but certainly a well-argued defense of his work.

A critique of Sherman Alexie's latest book as overly simplistic, and lacking real substance about the reality of life as a Native American. I would rebut by saying almost all famous comedians are self-loathing and repetitive - I mean I love him to death, but almost every point made in this essay could also apply to Woody Allen...

The Making of the Chronic. No explanation necessary.

Not an Onion story! The rice illustration is a little much... but the story is interesting! Puts a whole new spin on believing in your country...

Meta film critique - I can't not share.

Lots of interesting pieces about women in the arts - an electronic music story from the Times, and a list of women in contemporary culture that will inevitably make you happy.

Finally - this may as well be Friday Night Lights.

No Static: Hindi Zahra

I was actually introduced to Hindi Zahra by Robert Glasper, an artist previously featured in this series (there's two posts, so it's a series now! :) ). He recorded a song with her for the French release of his album Black Radio (I think they connected because they are both Blue Note artists) - listen below:

Not having purchased the French release of the album (or any release... #poverty - thanks Spotify!), I only heard the song for the first time when I saw him in concert in Paris, where he and Hindi performed this song. She was amazing - powerful, sultry, and unique, without so many of the contrivances found in contemporary "jazz" (or whatever) vocalists. She pretty much instantaneously became my new girl crush (see all photos of her and this write up for proof that her style is as awesome as her music).

 A little more research led me to her debut album: 

...which is just lovely. Her sound isn't necessarily the most innovative, but that doesn't diminish the strength of her musicality and her immense talent. I love the mix of languages in her songs as well - somehow it sounds so natural.

This is probably her most well known song - apparently it was in a Western Union ad? :

And here's a really cool remix (and video!):

And proof she can do standards too:

Go forth and listen, and let me know if you think I can pull off her hair/style - i'm not above direct copying, but I'm just not sure I'm cool enough to work it like she does :)

Rio X Paris

I know it's blurry, I'm awkward about flash/am bad at my camera...

Not sure how I keep ending up at "world" (don't even get me started on the problems with that term... alternatively, suggest another word I could use that is less obnoxious!) music concerts in Paris, but somehow they always seem to be the cheapest and coolest... so there you go. 

On Sunday we got a taste of Carnaval in Paris (i know there is actually a Carnaval in Paris, but bear with me here) with the Orquestra de Frevo de Paris, who were playing at l'Alimentation Générale. Honestly, every time I go out in pairs, I have no idea what to expect because each time is completely different. On this particular evening (when I had luckily convinced a pal to come adventuring with me) we got there and the vibe was basically just Williamsburg Mexican restaurant. Which was good.

Then people started just randomly dancing... in what might gently be called a non-professional, yet organized fashion. Needless to say we were perplexed. Also the music had applause recorded in (...unsure).

After 45 minutes of that, the band finally came on - with the dancers (now in much more sparkly outfits) accompanying them. It was so festive to watch and be a part of - also just adorable on principle (french people in matching outfits playing Brazilian music). The band and the dancers made up for any technical deficiencies with an abundance of enthusiasm, and by the end of the night, the whole crowd was dancing.  My friend and I decided to run away and become samba dancers (even though i later realized that they were not actually samba-ing (?), but rather performing frevo, a type of music and dance specifically associated with Carnaval... details) - perhaps taking the cute trombone player (whose name was Giovanni... fact) with us.

I love Brazilian music (blame my mother) and when I initially read that the group was called "Orquestra de Frevo" this was my first thought (1:17):

Here's a danceable Brazilian playlist for you, in case you too aspire to drop everything and run away to Rio.

No Static: The Robert Glasper Experiment

Today, the "highly anticipated" (to use unfortunate jargon) new album from the Robert Glasper Experiment, Black Radio, was released in its entirety to NPR. Stream it. Immediately.

I've been a fan of this group since summer 2010 (... almost 2 years ago. Yikes.) when the organization I was interning with, the Brooklyn Arts Council, produced a concert in conjunction with Lincoln Center Out of Doors that featured them as headliners. They were really fantastic, and different in a way that was striking but not alienating - something that I think a lot of interesting contemporary musicians struggle with. Their music is fundamentally listenable, and is only made more so by their frequent collaborations with hip-hop and R&B artists.

I saw them again in February 2011, when they were playing with Lupe Fiasco at the Blue Note (picture below). Just completely fucking awesome. Also I was approximately 2 people from the stage... I died. A little. They were playing to a tough crowd - most people were just there to see Lupe - but they were compelling enough to really focus the show. The vibe was so chill, and the music was SO good.

One of the many times I've seen them live. Yes - Lupe, Kanye, and Mos Def are also on stage.

I went to see them again in May 2011, when they did a secret show at a hotel in New York... really fun. The small size of the venue meant that the artists were just hanging out - which is when you can see just how brilliant they are. At this concert specifically, they were experimenting (har, har) and it was just interesting to see the artistic processes happening... I'm a dork. In case you couldn't tell, as I cite the zillions of concerts I've been to with this one band...

Anyway. Saw them again in October, as a part of a CMJ showcase at Le Poisson Rouge with Taylor McFerrin and Jose James. It's interesting to see the type of demographic they attract - Robert Glasper has a huge following in the jazz community (which is dominated by nerdy white guys) but the music also has enough crossover appeal that he's starting to get attention in pop circles. The copious collaborations also help with that. That being said, none of them really feel forced - rather, it sounds just like the product of a really cool musical community (slash I just want to be all of their best friends).

I'm going to see them in Paris on April 6th... I'm so excited to see how the show is different than all the American ones I've been too. The new album is really great - I've already listened to it like 3 times, and it's just... chill. The music is awesome without being aggressive - Patrick Jarenwattananon at NPR calls it "organic," which is an apt description in the sense that the whole album flows so well. However I think the danger with the word organic is that it implies a sort of naturalism, when in fact this is a highly cultivated and frankly highly produced sound (another aspect that ties it more closely to the pop world). I digress. To be frank... it would be awesome make-out music. Just saying. I digress some more.

Anyway. Listen to it! And go to see them! They're on tour right now and are going basically everywhere, so you have no excuse.

Cute Boys and Good Music... What Else is There?

But seriously.

Last weekend, I took a visiting friend out to Caveau des Oubliettes to see a free concert by the group SETENTA, nebulously described on the website as "afro-jazz"... the question of genre is an interesting one - last time I went to this bar (ostensibly a jazz club), the band was doing Stevie Wonder and Michael Jackson covers. jazz just has a really different definition here than in the U.S. - a jazz club is typically more easily defined by what it is not (at least in my limited experience): not pop, not rock, not rap, not classical.

Basically, I just figured it would probably be fun (generally I'm down for any music with "Latin" influences... whatever that means), but really didn't know what to expect. 

And that's when they all walked on in their not quite coordinated outfits, and started playing super danceable Latin/pop/funk. Probably best described as santana meets Tito Puente meets a hint of West Africa meets... French people. The band was so tight, with such adorably precise arrangements, that you really had to just not have ears to not want to have a total Shakira moment... they were all just having a fantastic time, dancing and singing and playing pretty much every percussion instrument you can imagine (I did not demand more cowbell, but I was sorely tempted).

The venue wasn't ideal (tiny cave crammed full of tables), since everyone (obviously) wanted to dance - I definitely would like to see them when they're playing at a larger venue (possibly one with affordable mojitos? I don't think I've ever heard more mojito appropriate music than these guys...). Here's another video of their live show... the most fun.

Unrelated: I just realized that online mixtapes exist.. like a day ago. Not sure where I've been. Anyway, found both of these on The Hairpin:

1. Just think slow jamz and dedications.

2. This is anti-valentine's (late i know) but also just a lot of good pop songs.

la Saint-Valentin

It's Valentine's Day in Paris... why that inspired me to post something here I don't know (certainly not because of any personal attachment to or anticipation of the holiday... sigh). But Paris is into it.

All the flower shops are overflowing with roses,

which leaves the sidewalks looking quite romantic.

Nothing more French than an immaculate themed display.

Except perhaps an afternoon of chocolat chaud and macarons :)

Also, to honor the holiday, I'm sharing part of my personal Valentine's agenda - namely, the soundtrack to my dream Valentine's Day with Jon Hamm (of course, in 1957 and in New York City and wearing this dress or this dress... basically Mad Men). 

So if you like love songs from the 50s and 60s that you can imagine dancing to... voilà!

a very mad men valentine's day